Bibliographie en fin de chapitres. Index

Introduction / John Richardson and Claudia Gorbman Theoretical pressure points. Lawrence Kramer: Classical music for the posthuman condition Michel Chion: The audio-logo-visual and the sound of languages in recent film Nicholas Cook: Beyond music: mashup, multimedia mentality, and intellectual property Anahid Kassabian: The end of diegesis as we know it? Steven Connor: Sounding out film narrative, genre, meaning: changing times, changing practices. Robynn J. Stilwell: Audio-visual space in an era of technological convergence Annette Davison: Title Sequences for contemporary television serials Carter Burwell: No country for old music Janet K. Halfyard: Cue the big theme? the sound of the superhero Michael Chanan: Video speech in Latin America Animated sounds. Daniel Goldmark: Pixar and the animated soundtrack Randy Thom: Notes on sound design in contemporary animated films Lisa Perrott: Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music Musical moments and transformations. Caryl Flinn: The mutating musical Ying Xiao: Chinese rock 'n ' roll film and Cui Jian on screen John Richardson: The neosurrealist metamusical: Tsai's The wayward cloud Philip Brophy: Parties in your head: from the acoustic to the psycho-acoustic Emerging audiovisual forms: music video and beyond. Carol Vernallis: Music video's second aesthetic Stan Hawkins: Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" Paula Hearsum & Ian Inglis: The emancipation of music video: YouTube and the cultural politics of supply and demand Mathias Bonde Korsgaard: Music video transformed Video Art. Holly Rogers: "Betwixt and between" worlds: spatial and temporal liminality in video Art-music. Maureen Turim and Michael Walsh: Sound events: innovation in projection and installation Gaming. Rob Bridgett: Contextualizing game audio aesthetics Karen Collins: Implications of interactivity: What does it mean for sound to be "Interactive"? Mark Kerins: Multi-channel gaming aesthetics of interactive surround Expanded soundtracks. Michel Chion: Sensory aspects of contemporary cinema Jeff Smith: The sound of intensified continuity K.J. Donnelly: Paratexts of the audio-visual: paratexts of the audio-visual soundtrack Extensions beyond the film. Susanna Välimäki: The audiovisual construction of transgender identity in Transamerica Meri Kytö: Soundscapes of Istanbul in Turkish film soundtracks Charles Kronengold: Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films Audiovisuality in daily life. Philip Auslander: sound and vision: the audio/visual economy of musical performance Joseph Lanza: foreground flatland Michael Bull: Remaking the urban: the audio-visual aesthetics of ipod use Helmi Järviluoma and Noora Vikman: On soundscape methods and audiovisual sensibility Mariko Hara and Tia Denora: Leaving something to the imagination: "seeing" new places through a musical lens