Music of the Soviet era: 1917-1991 / Levon Hakobian, Monographie imprimée
Language: anglais.Country: GrandeBretagne.Edition Statement: Second edition.Publication : Abingdon, Oxon, New York, NY : Routledge, 2017Description: 1 vol. (xiv- 512 pages) : Musique imprimée, couverture illustrée en noir et blanc ; 24 cmISBN: 978-1-138-36265-9.Dewey: 780.947/0904, 23Contents note: Part I : Remainders of the silver age and the sturm und drang of Soviet modernism The distribution of forces on the musical scene during the early post-revolutionary period The rise of Shostakovich Part II : Music under Stalin The beginnings of the "big Soviet style" Shostakovich’s Lady Macbeth of Mtzensk District and the first offensives on "formalism" The second half of the thirties ; The period of "maturity" of Soviet music The war and early post-war years The year 1948 and after Part III : The year 1953 and after : the "bronze age" Introduction : the progress of events Shostakovich in 1953–75 Shostakovich’s disciples The avant-garde of Moscow : the "Great Three" and other major figures Innovative tendencies outside Russia Some "independents" and "middle-roads" Conclusion Chronological table Bibliography: Bibliographie page [437]-462. Index..Subject - Topical Name: Musique URSS Subject - Geographical Name: URSS| Item type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| Prêt normal | BU Chevreul 3ème étage : Sciences sociales | Musique | 780.947 HAK (Browse shelf (Opens below)) | Available | 0380865197 |
"First published in 1998 by Melos Music Literature"--Title page verso
Originally published as 'Music of the Soviet age, 1917-1987'
Autre(s) tirage(s) : 2019
Bibliographie page [437]-462. Index.
Part I : Remainders of the silver age and the sturm und drang of Soviet modernism The distribution of forces on the musical scene during the early post-revolutionary period The rise of Shostakovich Part II : Music under Stalin The beginnings of the "big Soviet style" Shostakovich’s Lady Macbeth of Mtzensk District and the first offensives on "formalism" The second half of the thirties ; The period of "maturity" of Soviet music The war and early post-war years The year 1948 and after Part III : The year 1953 and after : the "bronze age" Introduction : the progress of events Shostakovich in 1953–75 Shostakovich’s disciples The avant-garde of Moscow : the "Great Three" and other major figures Innovative tendencies outside Russia Some "independents" and "middle-roads" Conclusion Chronological table
