The Dinner Party : Judy Chicago and the Power of Popular Feminism, 1970-2007 / Jane F. Gerhard, Monographie imprimée

Main Author: Gerhard, Jane F., AuteurLanguage: anglais.Publication : Athens, Georgia : The University of Georgia Press, 2013Description: 1 vol. (X- 336 pages) : ill., couv. ill. en coul. ; 24 cmISBN: 978-0-8203-3675-6; 0-8203-3675-0; 978-0-8203-4457-7; 0-8203-4457-5.Series: Since 1970, Histories of contemporary AmericaDewey: 709.2, 23Contents note: Toward a cultural history of The Dinner Party Making feminist artists: the feminist art programs of Fresno and CalArts, 1970-1972 Making feminist art: Womanhouse and the feminist art movement, 1972-1974 The studio as a feminist space: practicing feminism at The Dinner Party, 1975-1979 Joining forces: making art and history at The Dinner Party, 1975-1979 Going public: The Dinner Party in San Francisco, 1979 The tour that very nearly wasn't: The Dinner Party's alternative showings, 1980-1983 Debating feminist art: The Dinner Party in published and unpublished commentary, 1979-1989 From controversy to canonization: The Dinner Party in the culture wars, 1990-2007 A prehistory of post feminism Abstract: Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century.Bibliography: Bibliogr. p. 291-331. Index..Subject - Personal Name: Chicago, Judy, 1939- Critique et interprétation | Chicago, Judy, 1939- Subject - Author/Title: Chicago, Judy (1939-....), The Dinner Party Subject - Topical Name: Féminisme États-Unis Subject - Geographical Name: États-Unis
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5ème étage : Arts
Art - Histoire de l'Art 709.28 Chicago GER (Browse shelf (Opens below)) Available 0380345705
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Bibliogr. p. 291-331. Index.

Toward a cultural history of The Dinner Party Making feminist artists: the feminist art programs of Fresno and CalArts, 1970-1972 Making feminist art: Womanhouse and the feminist art movement, 1972-1974 The studio as a feminist space: practicing feminism at The Dinner Party, 1975-1979 Joining forces: making art and history at The Dinner Party, 1975-1979 Going public: The Dinner Party in San Francisco, 1979 The tour that very nearly wasn't: The Dinner Party's alternative showings, 1980-1983 Debating feminist art: The Dinner Party in published and unpublished commentary, 1979-1989 From controversy to canonization: The Dinner Party in the culture wars, 1990-2007 A prehistory of post feminism

Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century

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