Seducing time 1984-2008 [Images animées] : selected prize winning videotapes / by Lynn Hershman Leeson, Audiovisuel
Language: anglais.Publication : San Francisco : Microcinema International Inc., cop. 2011Description: 2 DVD (2 h 13 min, 1 h 47 min) : n. et bl., coul., sonoreContents note: Disc one : Virtual love (1993, 75 min), Seeing is believing (1992, 58 min), Disc two : Longshot (1989, 62 min), Desire Inc. (1990, 26 min), The electronic diaries (1984-1996, 75 min), Life squared (2007, 4 min) Abstract: For over four decades my work has explored the consequences of living in a world of mediated, monitored and manipulated identities as well as the associated impact of simulation on identity and cultural construction - encryption of privacy in an era of surveillance and identity in an time of pervasive and covert media manipulation. I have explored these themes in performance, photography and installation, A.I Bots and cinema. Time itself becomes a medium for these electronics subversions that fracture and intervene narratives. The works selected for this collection focus on technological projections that impact individuals in society. (Jaquette).Subject - Topical Name: Art vidéo -- États-Unis DVD | Installations vidéo -- États-Unis DVD | Cinéma expérimental -- États-Unis DVD | Identité (psychologie) DVD | Identité collective DVD| Item type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| Prêt normal | Bibliothèque provisoire Bron Salle de lecture | Spectacle (Arts du spectacle) | 791.4 HER (Browse shelf (Opens below)) | Available | 0379499287 |
Version en anglais non sous-titrée
Copyright : Zadig Productions, cop. 2009
Produit entre 1984 et 2008
Disc one : Virtual love (1993, 75 min), Seeing is believing (1992, 58 min), Disc two : Longshot (1989, 62 min), Desire Inc. (1990, 26 min), The electronic diaries (1984-1996, 75 min), Life squared (2007, 4 min)
For over four decades my work has explored the consequences of living in a world of mediated, monitored and manipulated identities as well as the associated impact of simulation on identity and cultural construction - encryption of privacy in an era of surveillance and identity in an time of pervasive and covert media manipulation. I have explored these themes in performance, photography and installation, A.I Bots and cinema. Time itself becomes a medium for these electronics subversions that fracture and intervene narratives. The works selected for this collection focus on technological projections that impact individuals in society. (Jaquette)
