"La Parisienne" in cinema : between art and life / Felicity Chaplin, Monographie imprimée
Language: anglais.Publication : Manchester : Manchester University Press, 2017Description: 1 vol. (205 p.) : couv. ill. en coul. ; 23 cmISBN: 978-1-5261-0953-8; 1-5261-0953-0.Dewey: 791.430909324436, 23Abstract: La 4e de couv. indique (extrait) : "Chic, sophisticated, seductive and enigmatic, the Parisienne possesses a « je ne sais quoi » which makes her difficult to define. Who or what « la Parisienne » is, and how she is depicted in cinema, is the subject of this new and exciting study. In the first book-length publication to explore the Parisienne type on film, Chaplin expands on existing scholarship in the fields of art history, literature and fashion history to both enrich the discussion of these films, and to offer new perspectives. Accessible and wide-ranging, this interdisciplinary and lively work will be of immediate interest to students and researchers working in Film Studies and French Studies and the broader humanities as well as a general interest audience. It is also essential reading for cinephiles and Francophiles alike.".Bibliography: Bibliogr. p. [190]-202. Filmogr. p. [185]-189. Index.Subject - Topical Name: Femmes, Au cinéma Études de cas | Femmes -- France -- Paris (France) Dans les représentations sociales | Cinéma, Thèmes, motifs Subject - Geographical Name: France, Moeurs et coutumes -- Au cinéma Études de cas| Item type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| Prêt normal | Bibliothèque provisoire Bron Salle de lecture | Spectacle (Arts du spectacle) | 791.430.8 CHA (Browse shelf (Opens below)) | Available | 0380401579 |
Bibliogr. p. [190]-202. Filmogr. p. [185]-189. Index
La 4e de couv. indique (extrait) : "Chic, sophisticated, seductive and enigmatic, the Parisienne possesses a « je ne sais quoi » which makes her difficult to define. Who or what « la Parisienne » is, and how she is depicted in cinema, is the subject of this new and exciting study. In the first book-length publication to explore the Parisienne type on film, Chaplin expands on existing scholarship in the fields of art history, literature and fashion history to both enrich the discussion of these films, and to offer new perspectives. Accessible and wide-ranging, this interdisciplinary and lively work will be of immediate interest to students and researchers working in Film Studies and French Studies and the broader humanities as well as a general interest audience. It is also essential reading for cinephiles and Francophiles alike."
