French musical culture and the coming of sound cinema / Hannah Lewis, Monographie imprimée
Language: anglais.Country: EtatsUnis.Publication : New York, NY : Oxford University Press, copyright 2019Description: 1 vol. (XII-245 p.) : ill. ; 25 cmISBN: 978-0-19-063598-5; 978-0-19-063597-8.Series: The Oxford music/media seriesDewey: 791.430944, 23Bibliography: Bibliogr. p. [229]-237. Notes bibliogr. Filmogr. p. [219]-227. Index.Subject - Topical Name: Cinéma et musique -- France 1900-1945 | Musique de film -- France -- 1900-1945 Histoire et critique | Bandes sonores (cinéma) -- France -- 1900-1945 Histoire et critique | Cinéma, France -- 1929-1945 Histoire et critique| Item type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| Prêt normal | Bibliothèque provisoire Bron Salle de lecture | Spectacle (Arts du spectacle) | 789.8 LEW (Browse shelf (Opens below)) | Available | 0380531672 |
Bibliogr. p. [229]-237. Notes bibliogr. Filmogr. p. [219]-227. Index
P. 16 1. Imagining Sound Film : Debates in the Press P. 35 2. Surrealist Sounds : Film Music and the Avant-Garde P. 71 3. "An achievement that reflects its native soil" : Songs, Stages, Cameras, and the "Opérette Filmée" P. 102 4. Théâtre filmé, Opera, and Cinematic Poetry : The Clair/Pagnol Debate P. 127 5. Source Music and Cinematic Realism : Jean Renoir and the Early Poetic Realists P. 158 6. "The Music Has Something to Say" : The Musical Revisions of "L'Atalante" (1934)
