Film quarterly [Ressource électronique] : forty years, a selection / edited by Brian Henderson and Ann Martin ; with Lee Amazonas, Monographie électronique
Uniform Title: Film quarterlyLanguage: anglais.Country: EtatsUnis.Publication : Berkeley : University of California Press, [200?], cop. 1999Dewey: 791.43, 21Contents note: Introduction / Brian Henderson Pt. 1. Early Days. Beige, Brown, or Black / Edited by Albert Johnson. Recent Film Writing: A Survey / Edited by Ernest Callenbach Pt. 2. Theory. Tense, Mood, and Voice in Film (Notes After Genette) / Brian Henderson. The Critic as Consumer: Film Study in the University, Vertigo, and the Film Canon / Virginia Wright Wexman. Yellow Earth: Western Analysis and a Non-Western Text / Esther C. M. Yau. Popular Culture and Oral Traditions in African Film / Manthia Diawara. The Subversive Potential of the Pseudo-Iterative / Marsha Kinder Pt. 3. Genre. Nightmare and the Horror Film: The Symbolic Biology of Fantastic Beings / Noel Carroll. Human Artifice and the Science Fiction Film / J. P. Telotte. Confessions of a Feminist Porn Watcher / Scott MacDonald. The Sacraments of Genre: Coppola, DePalma, Scorsese / Leo Braudy. Hardcore: Cultural Resistance in the Postmodern / David James Pt. 4. Documentary. The Voice of Documentary / Bill Nichols. Newsreel: Old and New - Towards an Historical Profile / Michael Renov. When Less Is Less: The Long Take in Documentary / David MacDougall. Mirrors Without Memories: Truth, History, and the New Documentary / Linda Williams Pt. 5. Technologies. Colorization / Michael Dempsey. Machines of the Invisible: Changes in Film Technology in the Age of Video / Charles Eidsvik. Videophilia: What Happens When You Wait for It on Video / Charles Shiro Tashiro. Through the Looking Glasses: From the Camera Obscura to Video Assist / Jean-Pierre Geuens. True Lies: Perceptual Realism, Digital Images, and Film Theory / Stephen Prince Pt. 6. Historical Revisions. Stepin Fetchit Talks Back / Joseph McBride. Footnote to the History of Riefenstahl's Olympia / Hans Barkhausen. Power and Dis-Integration in the Films of Orson Welles / Beverle Houston. Reading Kane / Leonard J. Leff. Desert Fury, Mon Amour / David Ehrenstein. Fritz Lang and Goebbels: Myth and Facts / Gosta Werner Pt. 7. Group Texts. Special Feature: Independent Cinema. Castro Street: The Sensibility of Style / Lucy Fischer. The Structure of Lyric: Baillie's To Parsifal / Alan Williams. Brakhage: Artistic Development in Two Childbirth Films / William R. Barr. FQ Round Table: The Many Faces of Thelma & Louise. Thelma & Louise's Exuberant Polysemy / Harvey R. Greenberg. Crossing Over / Carol J. Clover. Bacchantes at Large / Albert Johnson. Thelma & Louise as Screwball Comedy / Peter N. Chumo II. Narrative Organization / Brian Henderson. What Makes a Woman Wander / Linda Williams. Satire into Myth / Leo Braudy. Thelma & Louise and Messidor as Feminist Road Movies / Marsha Kinder Bibliography: Index.Subject - Topical Name: Critique cinématographique | Cinéma, Histoire et critique Online Resources:Click here to access online| Item type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| Non prêtable | Documentation en ligne Ressources électroniques | Spectacle (Arts du spectacle) | UC Press E-Books Collection (Browse shelf (Opens below)) | En ligne | EL735973 |
Description d'après consultation de la ressource (18-03-2010)
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Numérisation de l'édition de : Berkeley (Calif.) : University of California press, cop. 1999
Ouvrage mis en ligne par UC Press E-Books Collection
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Index
Introduction / Brian Henderson Pt. 1. Early Days. Beige, Brown, or Black / Edited by Albert Johnson. Recent Film Writing: A Survey / Edited by Ernest Callenbach Pt. 2. Theory. Tense, Mood, and Voice in Film (Notes After Genette) / Brian Henderson. The Critic as Consumer: Film Study in the University, Vertigo, and the Film Canon / Virginia Wright Wexman. Yellow Earth: Western Analysis and a Non-Western Text / Esther C. M. Yau. Popular Culture and Oral Traditions in African Film / Manthia Diawara. The Subversive Potential of the Pseudo-Iterative / Marsha Kinder Pt. 3. Genre. Nightmare and the Horror Film: The Symbolic Biology of Fantastic Beings / Noel Carroll. Human Artifice and the Science Fiction Film / J. P. Telotte. Confessions of a Feminist Porn Watcher / Scott MacDonald. The Sacraments of Genre: Coppola, DePalma, Scorsese / Leo Braudy. Hardcore: Cultural Resistance in the Postmodern / David James Pt. 4. Documentary. The Voice of Documentary / Bill Nichols. Newsreel: Old and New - Towards an Historical Profile / Michael Renov. When Less Is Less: The Long Take in Documentary / David MacDougall. Mirrors Without Memories: Truth, History, and the New Documentary / Linda Williams Pt. 5. Technologies. Colorization / Michael Dempsey. Machines of the Invisible: Changes in Film Technology in the Age of Video / Charles Eidsvik. Videophilia: What Happens When You Wait for It on Video / Charles Shiro Tashiro. Through the Looking Glasses: From the Camera Obscura to Video Assist / Jean-Pierre Geuens. True Lies: Perceptual Realism, Digital Images, and Film Theory / Stephen Prince Pt. 6. Historical Revisions. Stepin Fetchit Talks Back / Joseph McBride. Footnote to the History of Riefenstahl's Olympia / Hans Barkhausen. Power and Dis-Integration in the Films of Orson Welles / Beverle Houston. Reading Kane / Leonard J. Leff. Desert Fury, Mon Amour / David Ehrenstein. Fritz Lang and Goebbels: Myth and Facts / Gosta Werner Pt. 7. Group Texts. Special Feature: Independent Cinema. Castro Street: The Sensibility of Style / Lucy Fischer. The Structure of Lyric: Baillie's To Parsifal / Alan Williams. Brakhage: Artistic Development in Two Childbirth Films / William R. Barr. FQ Round Table: The Many Faces of Thelma & Louise. Thelma & Louise's Exuberant Polysemy / Harvey R. Greenberg. Crossing Over / Carol J. Clover. Bacchantes at Large / Albert Johnson. Thelma & Louise as Screwball Comedy / Peter N. Chumo II. Narrative Organization / Brian Henderson. What Makes a Woman Wander / Linda Williams. Satire into Myth / Leo Braudy. Thelma & Louise and Messidor as Feminist Road Movies / Marsha Kinder
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