Authorship and the films of David Lynch : aesthetic receptions in contemporary Hollywood / Antony Todd, Monographie imprimée
Language: anglais.Country: GrandeBretagne.Publication : London, New York : I.B. Tauris, 2012Description: 1 vol. (ix-181 p.) : ill. ; 24 cmISBN: 978-1-8488-5579-3; 1-8488-5579-6; 978-1-8488-5580-9; 1-8488-5580-X.Dewey: 791.430233092, 23Bibliography: Bibliogr. p. 163-171. Index.Subject - Personal Name: Lynch, David, 1946- Critique et interprétation | Lynch, David, 1946- -- Appréciation États-Unis Subject - Topical Name: Cinéma, Art d'écrireItem type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
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Prêt normal | Bibliothèque provisoire Bron Salle de lecture | Spectacle (Arts du spectacle) | 791.43 Lynch TOD (Browse shelf (Opens below)) | Available | 0380622462 |
Bibliogr. p. 163-171. Index
Introduction Towards a textual historicity David Lynch: the making of a post-classical auteur Meanings and authorships in Dune Critical theory and 'cruel jokes': principles of ethics and pleasure, and the reception of Blue velvet Twin Peaks : the rise and fall of a public auteur Brand Lynch Receiving Mulholland Dr.: 'a contemporary film noir directed by David Lynch' Conclusion