The Routledge companion to new cinema history / edited by Daniel Biltereyst, Richard Maltby, and Philippe Meers, Monographie imprimée
Language: anglais.Country: GrandeBretagne, EtatsUnis.Publication : London, New York : Routledge, 2019Description: 1 vol. (xxiii-409 p.) : ill., graph., tabl., cartes, couv. ill. ; 26 cmISBN: 978-1-138-95584-4; 978-0-367-65957-8.Series: [Routledge Media and cultural studies companions]Abstract: La 4e de couv. indique : "The Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience of cinema, from its origins in vaudeville and traveling exhibitions to the multiplexes of today. Exploring its history from the perspective of the cinemagoer, the study of new cinema history examines the circulation and consumption of cinema, the political and legal structures that underpinned its activities, the place that it occupied in the lives of its audiences and the traces that it left in their memories. Using a broad range of methods from the statistical analyses of box office economics to ethnography, oral history, and memory studies, this approach has brought about an undisputable change in how we study cinema, and the questions we ask about its history. This companion examines the place, space, and practices of film exhibition and programming; the questions of gender and ethnicity within the cinematic experience; and the ways in which audiences gave meaning to cinemagoing practices, specific films, stars, and venues, and its operation as a site of social and cultural exchange from Detroit and Laredo to Bandung and Chennai. Contributors demonstrate how the digitization of source materials and the use of digital research tools have enabled them to map previously unexplored aspects of cinema's business and social history and undertake comparative analysis of the diversity of the social experience of cinema across regional, national, and continental boundaries.".Bibliography: Bibliogr. en fin de contributions. Index.Subject - Topical Name: Industrie du cinéma Histoire | Sociologie de la réception | Cinéma Sociologie | Cinéma, Publics Sociologie | Industries culturelles | Cinéma, Histoire et critique | Théorie du cinéma Subject - Form: Actes de congrès| Item type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| Prêt normal | Bibliothèque provisoire Bron Salle de lecture | Spectacle (Arts du spectacle) | 791.430.1 BIL (Browse shelf (Opens below)) | Available | 0380657648 |
1ère publication en version brochée : 2020
Mention de collection puisée du site de l'éditeur
Ouvrage issu de deux colloques organisés dans le cadre du réseau "History of moviegoing, exhibition, and reception (HoMER)", et tenus à Glasgow du 20 au 24 juin 2015 et à Potsdam du 28 au 30 juillet 2016
Bibliogr. en fin de contributions. Index
La 4e de couv. indique : "The Routledge Companion to New Cinema History presents the most recent approaches and methods in the study of the social experience of cinema, from its origins in vaudeville and traveling exhibitions to the multiplexes of today. Exploring its history from the perspective of the cinemagoer, the study of new cinema history examines the circulation and consumption of cinema, the political and legal structures that underpinned its activities, the place that it occupied in the lives of its audiences and the traces that it left in their memories. Using a broad range of methods from the statistical analyses of box office economics to ethnography, oral history, and memory studies, this approach has brought about an undisputable change in how we study cinema, and the questions we ask about its history. This companion examines the place, space, and practices of film exhibition and programming; the questions of gender and ethnicity within the cinematic experience; and the ways in which audiences gave meaning to cinemagoing practices, specific films, stars, and venues, and its operation as a site of social and cultural exchange from Detroit and Laredo to Bandung and Chennai. Contributors demonstrate how the digitization of source materials and the use of digital research tools have enabled them to map previously unexplored aspects of cinema's business and social history and undertake comparative analysis of the diversity of the social experience of cinema across regional, national, and continental boundaries."
Introduction: the scope of new cinema history / Daniel Biltereyst, Richard Maltby, and Philippe Meers Part I. Reflections and comments Part II. Challenges and opportunities Part III. Distribution and trade Part IV. Exhibition, place, and space Part V. Programming, popularity, and film Part VI. Audiences, reception, and cinemagoing experiences
