The making of poetry : Coleridge, the Wordsworths and their year of marvels / Adam Nicolson ; with woodcuts and paintings by Tom Hammick, Monographie imprimée

Main Author: Nicolson, Adam, 1957-...., AuteurCoauthor: Hammick, Tom, 1963-...., , Language: anglais.Country: GrandeBretagne.Publication : London : William Collins, 2020Description: 1 vol. (390 p.-[40] p. de pl.) : ill. en noir et en coul., couv. ill. en coul. ; 20 cmISBN: 978-0-00-812649-0; 0-00-812649-6.Dewey: 821.609, 23Abstract: Wordsworth and Coleridge as you've never seen them before in this new book by Adam Nicolson, brimming with poetry, art and nature writing. Proof that poetry can change the world. It is the most famous year in English poetry. Out of it came « The Ancient Mariner » and 'Kubla Khan', as well as Coleridge's unmatched hymns to friendship and fatherhood, Wordsworth's revolutionary verses in « Lyrical Ballads » and the greatness of 'Tintern Abbey', his paean to the unity of soul and cosmos, love and understanding. Bestselling and award-winning writer Adam Nicolson tells the story, almost day by day, of the year in the late 1790s that Coleridge, Wordsworth, his sister Dorothy and an ever-shifting cast of friends, dependants and acolytes spent together in the Quantock Hills in Somerset. To a degree never shown before, « The Making of Poetry » explores the idea that these poems came from this place, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. What emerges is a portrait of these great figures as young people, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths towards it. The poetry they made was not from settled conclusions but from the adventure on which they were all embarked, seeing what they wrote as a way of stripping away all the dead matter, exfoliating consciousness, penetrating its depths. Poetry for them was not an ornament for civilisation but a challenge to it, a means of remaking the world.(éditeur : ‎$uhttps://collinsbooksthirroul.com.au‎).Bibliography: Bibliogr. p. 367-377. Notes bibliogr. en fin d'ouvrage. Index.Subject - Personal Name: Coleridge, Samuel Taylor, 1772-1834 Critique génétique | Coleridge, Samuel Taylor, 1772-1834 Sources | Wordsworth, William, 1770-1850 Critique génétique | Wordsworth, William, 1770-1850 Sources Subject - Topical Name: Inspiration | Création littéraire | Poïétique | Intersubjectivité | Poésie anglaise, 18e siècle
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Prêt normal BU Chevreul
4ème étage : Langues
Anglais 820.906 NIC (Browse shelf (Opens below)) Available 0380403689
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Bibliogr. p. 367-377. Notes bibliogr. en fin d'ouvrage. Index

Wordsworth and Coleridge as you've never seen them before in this new book by Adam Nicolson, brimming with poetry, art and nature writing. Proof that poetry can change the world. It is the most famous year in English poetry. Out of it came « The Ancient Mariner » and 'Kubla Khan', as well as Coleridge's unmatched hymns to friendship and fatherhood, Wordsworth's revolutionary verses in « Lyrical Ballads » and the greatness of 'Tintern Abbey', his paean to the unity of soul and cosmos, love and understanding. Bestselling and award-winning writer Adam Nicolson tells the story, almost day by day, of the year in the late 1790s that Coleridge, Wordsworth, his sister Dorothy and an ever-shifting cast of friends, dependants and acolytes spent together in the Quantock Hills in Somerset. To a degree never shown before, « The Making of Poetry » explores the idea that these poems came from this place, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood. What emerges is a portrait of these great figures as young people, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths towards it. The poetry they made was not from settled conclusions but from the adventure on which they were all embarked, seeing what they wrote as a way of stripping away all the dead matter, exfoliating consciousness, penetrating its depths. Poetry for them was not an ornament for civilisation but a challenge to it, a means of remaking the world.(éditeur : ‎$uhttps://collinsbooksthirroul.com.au‎)

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