Animal life and the moving image / edited by Michael Lawrence & Laura McMahon, Monographie imprimée
Language: anglais.Country: GrandeBretagne.Publication : copyright 2015Description: 1 vol. (XVI-303 p.) : ill., couv. ill. en coul. ; 24 cmISBN: 978-1-84457-900-6; 1-84457-900-X; 978-1-84457-899-3; 1-84457-899-2.Dewey: 791.4/3662, 23Abstract: From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked. Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings together some of the most important and influential writers working on the non-human animal's significance for cultures and theories of the moving image. It offers innovative analyses of the representation of animals across a wide range of documentary, fiction, mainstream and avant-garde practices, from early cinema to contemporary user-generated media. Individual chapters consider King Kong, The Birds, The Misfits, The Cove, Grizzly Man and Microcosmos, the work of Sergei Eisenstein, Robert Bresson, Malcolm Le Grice, Peter Greenaway, Carolee Schneemann and Isabella Rossellini, and YouTube stars Christian the lion and Maru the cat..Bibliography: Notes bibliogr. en fin de chapitres. Index.Subject - Topical Name: Animaux Au cinéma | Animaux Dans les médias | Films animaliers Histoire et critique | Films documentaires Histoire et critiqueItem type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
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Prêt normal | Bibliothèque provisoire Bron Salle de lecture | Spectacle (Arts du spectacle) | 791.436.4 LAW (Browse shelf (Opens below)) | Available | 0380562782 |
"A BFI book published by Palgrave."
Notes bibliogr. en fin de chapitres. Index
From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked.
Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings together some of the most important and influential writers working on the non-human animal's significance for cultures and theories of the moving image. It offers innovative analyses of the representation of animals across a wide range of documentary, fiction, mainstream and avant-garde practices, from early cinema to contemporary user-generated media. Individual chapters consider King Kong, The Birds, The Misfits, The Cove, Grizzly Man and Microcosmos, the work of Sergei Eisenstein, Robert Bresson, Malcolm Le Grice, Peter Greenaway, Carolee Schneemann and Isabella Rossellini, and YouTube stars Christian the lion and Maru the cat.