What is film? / Julie N. Books, Monographie imprimée
Language: anglais.Country: multiple.Publication : New York [etc.] : Peter Lang, cop. 2016, cop. 2016Description: 1 vol. (viii-160 p.) : couv. ill. en coul. ; 24 cmISBN: 978-1-4331-3408-1.Series: American university studies, Series V, Philosophy, vol. 224Dewey: 791.4301, 23Bibliography: Bibliogr. p. [155]-160. Notes bibliogr..Subject - Topical Name: Philosophie et cinéma | Cinéma, EsthétiqueItem type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
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Prêt normal | Bibliothèque provisoire Bron Salle de lecture | Spectacle (Arts du spectacle) | 791.430.1 BOO (Browse shelf (Opens below)) | Available | 0379978706 |
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791.430.1 BON Cinémas en communs | 791.430.1 BON Cinéma opérateur poétique | 791.430.1 BON L'art du détail au cinéma | 791.430.1 BOO What is film? | 791.430.1 BOR On the history of film style | 791.430.1 BOR L'art du film | 791.430.1 BOR L'art du film |
Bibliogr. p. [155]-160. Notes bibliogr.
P. 1 Introduction P. 9 1. Transparency P. 9 Introduction P. 10 Photographs and transparency P. 25 Films and transparency P. 35 Criticisms of transparency P. 45 2. Illusionism P. 45 Introduction P. 48 Currie's arguments against cognitive illusionism P. 59 Arguments against cognitive illusionism P. 68 Currie's arguments against perceptual illusionism P. 81 Evaluating perceptual illusionism P. 89 3. Perceptual realism P. 89 Introduction P. 91 Currie's account of perceptual realism P. 106 Problems with resemblance theories P. 111 4. Summarizing the doctrines of film realism P. 117 5. A new theory of the ontology of film P. 117 Introduction P. 118 Films as creative works of art P. 137 Conclusion