Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn / Cybelle H. McFadden, Monographie imprimée
Language: anglais.Country: EtatsUnis.Publication : Madison : Fairleigh Dickinson University Press, Lanham (Md.) : Rowman & Littlefield, cop. 2014Description: 1 vol. (XII-233 p.) : ill. ; 24 cmISBN: 978-1-611-47632-3.Dewey: 791.4302/330925, 23Bibliography: Notes bibliogr. Index.Subject - Personal Name: Varda, Agnès 1928-2019, Critique et interprétation | Akerman, Chantal, 1950-2015 Critique et interprétation | Cabrera, Dominique, 1957- Critique et interprétation | Calle, Sophie, 1953- Critique et interprétation | Le Besco, Maïwenn, 1976- Critique et interprétation Subject - Topical Name: Corps humain Au cinéma | Rôle selon le sexe Au cinéma | Cinéma et femmes -- France 1970-| Item type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|---|
| Prêt normal | Bibliothèque provisoire Bron Salle de lecture | Spectacle (Arts du spectacle) | 791.430.944 MCF (Browse shelf (Opens below)) | Available | 0379748729 |
Notes bibliogr. Index
Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009) Section 1. Self-authorization through self-representation Reflected reflexivity: Agnès Varda's aging female body Enacted reflexivity: Chantal Akerman par Chantal Akerman Hybrid reflexivity: Dominique Cabrera's half-body, half-camera Section 2. Self-construction through faux narratives Orchestrated reflexivity: Sophie Calle's narrative body as artist Faux reflexivity: Maïwenn's camera and the female body Conclusion: Reflections on gendered frames, embodied cameras
