Indie 2.0 : change and continuity in contemporary American indie film / Geoff King, Monographie imprimée
Language: anglais.Country: EtatsUnis.Publication : New York : Columbia University Press, cop. 2014Description: 1 vol. (ix-301 p.) : ill., couv. ill. en coul. ; 24 cmISBN: 978-0-231-16794-9; 978-0-231-16795-6.Dewey: 791.430973, 23Bibliography: Bibliogr. p. [286]-291. Index.Subject - Topical Name: Cinéma indépendant -- États-Unis Histoire et critique | Cinéma -- États-Unis 1990-Item type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|---|
Prêt normal | Bibliothèque provisoire Bron Salle de lecture | Spectacle (Arts du spectacle) | 791.430.97 KIN (Browse shelf (Opens below)) | Available | 0379502918 |
Browsing Bibliothèque provisoire Bron shelves, Shelving location: Salle de lecture Close shelf browser (Hides shelf browser)
No cover image available | No cover image available | |||||||
791.430.97 KEA "All the president's men" | 791.430.97 KHO La comédie hollywoodienne classique, 1929-1945 | 791.430.97 KID The kid stays in the picture | 791.430.97 KIN Indie 2.0 | 791.430.97 KUP Glamour à Hollywood par George Sidney | 791.430.97 LAV L'imaginaire du chemin de fer dans le western américain | 791.430.97 LED L'ombre d'un doute |
Bibliogr. p. [286]-291. Index
P. 1 Introduction: discourses on the state of indie film P. 23 Quirky by design? irony vs. sincerity in Little Miss Sunshine and Juno P. 77 Industry 2.0: the digital domain and beyond P. 122 Mumblecore P. 169 Social realism and art cinema: the films of Kelly Reichardt and Ramin Bahrani P. 216 The desktop aesthetic: first-person expressive in Tarnation and Four eyed monsters P. 257 Conclusion: indie lives!