Filmmakers [Images animées] / Takahiko Iimura, réal., Audiovisuel
Publication : S.l. : Takahiko Iimura [éd.], 2005Description: 1 DVD (28 min.) : coul., sonore + 1 livret ([14] p.)ISBN: 978-4-901181-23-5.Series: Collection of Anthology Film ArchivesAbstract: This is a film portrait of filmmakers whom I was most interested in at the time; Stan Brakhage, Stan Vanderbeek, Jack Smith, Jonas Mekas, Andy Warhol, and Takahiko Iimura, shot during my first visit in U. S. A., 1966-1968, and then completed in Japan, 1969 with "comments" literally pointing out in words what I see in the picture at the moment (like an English lesson). Each filmmaker's part is about 5 minutes (200 feet) (except Iimura, 50 feet) without editing but in camera, most is shot without looking through the viewfinder. A part of Jonas Mekas is shot by himself and Akiko Iimura. Intentionally the film "borrowed" the technique of the filmmaker in his part (ex. frame-by frame shot at the part of Jonas Mekas as he has often employed it in his film)..| Item type | Home library | Collection | Call number | Status | Date due | Barcode | Item holds |
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| Prêt normal | Bibliothèque provisoire Bron Salle de lecture | Spectacle (Arts du spectacle) | 791.4 FIL (Browse shelf (Opens below)) | Available | 0378703972 |
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| 791.4 EXP Experimental film and video | 791.4 FAR Ciné et TV vont en vidéo | 791.4 FAR La vie retrouvée de Jean-Daniel Pollet | 791.4 FIL Filmmakers | 791.4 FIL Films & videos | 791.4 FIL Films & videos | 791.4 FIL Films & videos |
Versions en anglais et en japonais
Cop. : 1969
This is a film portrait of filmmakers whom I was most interested in at the time; Stan Brakhage, Stan Vanderbeek, Jack Smith, Jonas Mekas, Andy Warhol, and Takahiko Iimura, shot during my first visit in U. S. A., 1966-1968, and then completed in Japan, 1969 with "comments" literally pointing out in words what I see in the picture at the moment (like an English lesson). Each filmmaker's part is about 5 minutes (200 feet) (except Iimura, 50 feet) without editing but in camera, most is shot without looking through the viewfinder. A part of Jonas Mekas is shot by himself and Akiko Iimura. Intentionally the film "borrowed" the technique of the filmmaker in his part (ex. frame-by frame shot at the part of Jonas Mekas as he has often employed it in his film).
